I'm going to tell you the story of Mr and Ms Innocent.
Mr and Ms Innocent were a young couple that started tango roughly at the same time. They had been dancing mainly within their community and, grapevine says, they were fairly good at it, good enough to be allowed to do advanced workshops.
The Innocents saw an international festival which starred one of the Innocent's favourite dancers, at the time. When considering the level, they thought "let's go for the advanced level, after all, we're allowed into advanced classes in our tango hometown".
The class finally came and the Innocent's were getting butterflies in their bellies. The maestro came in, put some music on and asked them to dance. By the end of the dance he seemed to be very pissed off, much more than he was when he came in (probably as a result of a very bad hangover). I am sure that most teachers would just lower the level so that students could get it but Mr tangomaster taught them a double lesson. He kept on with his level and did very complicated moves, difficult challenging and when made by him, very graceful. Mr and Mrs Innocent managed to skim the surface of what he taught but they felt they didn't get half as much as they should have got. When looking around, with the exception of a few couples, all the other couples were having the same or even more difficulties. The truth haunted their minds - they just weren't good enough for that level.
By the end of the festival, much of what had been taught in the workshop had gone. Not because Mr and Mrs Innocent were having amnesia or neurological problems but because there was so much information that they could only skim the surface that in the end it evaporated away before they could mull it over. This left the Innocents a few euro poorer but also with their confidence a bit dented, after all, they were not as advanced as they thought they were. Last but not least, they could have visited less hurriedly the limestone plazas and cafés of the sunny destination where the festival was being held, certainly, something that would have brought much more satisfaction.
A few years down the line, the Innocents learnt how to be more humble. They learnt that you are not an advanced taguero because you attend advanced workshops. They understood that they are advanced tangueros because they know what level they are within the "tango food chain".
This tango fable shows that if you want more out of your hard worked munny you should choose an appropriate level for you. This means looking into a mirror and trying to see what's in the other side, as opposed to see what you wished would be on the other side. If you can't see past your imagination ask your teacher for advise.
Doing workshops above your level will not only give you less than you're paying for but also by not doing appropriate level workshops you'll be missing important concepts that are needed in order to progress to the next level. And without those, you'll allways be a pseudo-advanced dancer (or maybe not even that).
Monday, November 03, 2008
How the shortcut can be the longuest way
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6 comments:
Another interesting post on our beloved what's-with-the-lack-of-humility topic!
A chapter of my book ("Looking in the Mirror") deals with this, and is available on line for everyone read.
Hi Johanna:
Yep, I remember now that chapter in your book. My analogy is something different though although in the same wavelenght. When I wrote I was actually picturing that magic mirror in the first Harry Potter book where people looked and saw what they wanted to see rather than what people really were...
Anything that will make people come back to their level will do. I have very little patience for those who think they are a few levels above what they really do.
It is fascinating how quickly we lose humility :-)
And how "basics" is so often construed as a negative.
As my good friend Monsieur L'Abbat writes: Don’t think yourself expert, but that you may become so.
okay
i will make a confession
I alwais gone to advanced class.
in the first year i think you remenber Ricky, i took a class from Arce and another by Chicho in Lisbon festival .
I took such a uge impact, and i think no one in class could understand the sequence of the movements, but i learn the most inportant that i have to work a lot to be close of what i saw.
Past 3 years i always go for advanced because of the chalenge.
When i see a new movement i work with sandra to try to aknowledge the small details and the understand the language, because for me Tango has to be a chalenge in every tanda in every milonga
Hi Rui:
Nothing wrong with getting challenged. The problem comes when a workshop aimed for a certain level has to be lowered because 90% of dancers are the level below. There is no challenge in putting a primary school kid learning at a University. No doubts he will probably get there but there is a lot in between that has to be learnt BEFORE he gets there.
The problem comes when one's challenge is the other's routine.
PS - Anyway, I think you should go to advanced workshops! ;o)
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